Category Archives: Madison Square Garden

TICKETS TORN IN HALF: The KinKs (1969-1995)/ Ray Davies (1995-2010)

02 Saturday Feb 2019

Posted by in #WhiteBoyBlues, 1965, Academy of Music,NYC, Bonzo Dog Band, books, Carnegie Hall, Fillmore East, Madison Square Garden, PALLADIUM,NYC, Ray Davies, Rock music, rock music trivia, The KinKs, The radio, Ticket Stubs, Vinyl Records

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TICKETS TORN IN HALF: The KinKs (1969-1995)/ Ray Davies (1995-2010)

The KinKs
October 18, 1969 Fillmore East
February 21,1970 Fillmore East (cancelled)
March 26, 1971 SUNY@ Farmingdale
November 21,1971 Carnegie Hall
March 3,1972 Carnegie Hall
November 16,1972 Felt Forum
March 31,1973 St.John’s
April 6,1974 Felt Forum
November 28,1975 The Beacon
February 1, 1977 Palladium
August 1,1995 Westbury Music Fair

RAY DAVIES
October 19,1995 Academy on 43rd
February 17,1996 WestBeth Theatre
November 8,1996 WestBeth Theatre
October 20,1997 Westbury Music Fair
February 27,2010 Westbury Music Fair

THE KINKS:
October 18, 1969 Fillmore East
The KinKs was one of my favorite bands from the early British Invasion days. They had not played live in the USA in quite some time so this show scheduled for October 18 at FILLMORE EAST was a “must see” for me. From the very first time I heard YOU REALLY GOT ME on my small transistor radio I knew these guys were different. So when the opportunity to see The KinKs live became a reality I jumped at the chance. Four, balcony seats left side of stage, not too shabby a view and with a great sound system.

The Bonzo Dog Band opened the show. While the crowd waited for their “hit” URBAN SPACEMAN, we were treated to some of the best comedy, music, and visuals I had ever seen (in my limited experience). Just sheer joy, I laughed hysterically throughout their entire set. The singer pretending he was urinating on the light show, the silly hats they wore, the large eyeglasses, and hundreds of props. They were GREAT. Needless to say I purchased two Bonzo albums the next week.Then the amazing KinKs were introduced. Even though it was a short set and one without their pianist who as Ray Davies said, “cracked his skull” so Ray played piano for a few tunes. Overall, it was a fabulous set. Upon leaving the show I remember thinking, ahhh The KinKs and The Who, two of my favorite bands, all I need is The Stones and The Beatles. BTW SPIRIT, the headliners, hit the stage after The Kinks and were decent but Randy California is NOT Raymond Douglas Davies by any stretch of the imagination. So tonight it was The KinKs.

February 21,1970 Fillmore East (cancelled)
February in New York is always cold and this night February 21,1970 was extremely, extra cold, temperature wise and personally. Tickets were purchased for Savoy Brown, The KinKs, Renaissance, The Voices of East Harlem all at FILLMORE EAST. At the Fillmore The KinKs cancelled out at the last minute making my already sour mood worse. 

March 26, 1971 SUNY@ Farmingdale
Back in college The Concert Committee was in full force. We got POCO signed up for SPRING BREAK and I petitioned as hard as I could to follow that success up with The KinKs. Finally, the contract was signed and the committee discussed who would announce the band to the audience. My name was offered and I was excited but the name I put out, Ronny, another Kinks fan, was the guy chosen. WOW, we had the KinKs coming to my school and when it was all said and done that show was an experience like no other. I got to greet the band upon arrival and showed the dressing (locker) room to them. They were drinking bottles of gin as part of their pre show preparation. By the time the band hit the show they were intoxicated and intoxicating, amazingly good. I hid a tape recorder in the speaker pod and pressed “record” just as the band hit the stage. After the show I helped to put Ray Davies into a car while his brother already in that car argued that he would not ride in the same car as Ray, so Dave had to be escorted to the second car while the piano player had to be moved to Ray’s car. Ray was now out of his car stumbling around the parking lot. Finally, safely in their cars, away they went. I headed to the bar around the corner with some other Committee members to celebrate our success.
Opened with “Till The End of The Day”, “Mr. Wonderful”,”Sunny Afternoon” “All Day and All of the Night”,”You Really Got Me”, Brainwashed”. A few nights later, the fiasco of The KinKs at Philharmonic Hall occurred.

November 21,1971 Carnegie Hall
November 21: KinKs@ Carnegie Hall w/ Lindisfarne, a show of shows. I took my new partner to meet all the boys and girls from Brooklyn seated in the three “dress” tiers boxes for which we had tickets.A few cocktails at the bar, a few more at our seats, and we were ready to go.”Top Of The Pops” opens the show, “Brainwashed”,Waterloo Sunset” Victoria” “Acute Schizophrenia…””Big Sky” and the obligatory “YRGM” and “ADAAOTN”.

March 3,1972 Carnegie Hall
March 3:The KinKs at Carnegie Hall-We couldn’t get enough at the November show so here we go again (about 20 of us) seated once again in the dress circle box. Drinks at the bar, drinks at the seats…”opened with the same song as November “Top Of The Pops”, “You’re Looking Fine” Muswell Hillbillies””Apeman” “2oth Century Man””Skin and Bones”…and all recorded for the “Everbody’s In Show Biz” release. This was a rabid fan base, with paper plates(song requests), a beer duel with Ray during “Alcohol”, and just a supreme appreciation for the artistry known as The KinKs.

November 16,1972 Felt Forum
Nov 16 The KinKs w/Mom’s Apple Pie @ FELT FORUM The KinKs open with VICTORIA and are still with THE MIKE COTTON SOUND for a few numbers. There is a decent live bootleg (not mine) of this night as the show was recorded for official release.

March 31,1973 St.John’s
March 31: KinKs/ Argent @ St. John’s Univ.ARGENT “Hold your head up WOMAN” as Rod Argent recently instructed us as to the proper words to his song were amazing as an opening act should be and then The KinKs complete with paper plates a flying. Got some great shots that night also.

April 6,1974 Felt Forum
Apr6: KinKs @ FELT FORUM This was THE PRESERVATION ACT 1&2 Tour with Mike Cotton Sound, Miss Pamela, etc. As much as I love the KinKs this is my least favorite time seeing them in concert and on record. Boring.

November 28,1975
NOV 28: KinKs @ BEACON This was one of those SCHOOL BOYS IN DISGRACE shows that I hated. YUCK.The Cockney Rebels opened. Double yuck.

February 1, 1977 Palladium
FEBRUARY 1: THE KINKS (8th time)/ SUTHERLAND BROS & QUIVER @ Palladium . The KinKs are still one of my favs even after the SCHOOLBOYS, the 1 and 2, etc so I needed to see The SLEEPWALKER Tour .The boys opened with ONE OF THE SURVIVORS and closed with VICTORIA, yeah, my Kinda KinKs.

August 1,1995 Westbury Music Fair It’s been 18 years since my last KinKs outing…
Aug 1: THE KinKs @ Westbury
The Kinks Return–All Day and All of The Night
Thousands Rock at Music Fair
By Anthony Bosco
An eclectic group of more than 2,000 came out Monday night to see the Kinks perform the first of two shows at the Westbury Music fair. The band added another performance following a quick sellout of their opening night in the metropolitan area.The band, led by brother Ray and Dave Davies in full force, reunited with former keyboardist Ian Gibbons for a quick tour of the eastern United States that stopped at Long Island this week. It was the first time in two years that the band from England has visited the New York City area.
“The Kinks have just arrived,” said band leader and songwriter Ray, 51, after playing several solo acoustic numbers to kick off the show. “A Well Respected Man,” “Dedicated Follower of Fashion,” and “Stop Your Sobbing” were among the acoustic tunes Davies played before the other four band members joined him on stage. The house lights dimmed and the Kinks ripped through a raucous version of “Do It Again” from the band’s 1984 album Word of Mouth. Several hard rocking Kinks singles followed, including “Low Budget,” “A Gallon of Gas” and “Sleepwalker.” But this was not a night of hard rock. At their most poignant, the Kinks easily slipped in and out of some of their most touching tunes.Reading an impromptu set list from paper plates that littered the stage, Davies led the Kinks in moving versions of “Dead End Street,” “Rock-N-Roll Fantasy” and “Waterloo Sunset.”
With fans ranging in age from pre-teen to post-middle age, Davies and his cohorts reached all with their trademark hits, including “Come Dancing,” “You Really Got Me,” “All Day and All of the Night” and “Lola.”Dressed in a Union Jack suit, Davies said, “Who knows, this might be the last time?” before leading the band in the English anthem “Victoria.” The set was short, lasting no more than an hour and 45 minutes, but the Kinks, as always, didn’t let their core group of fans down, nearly spanning a career of more than 30 years in just one night.
The Kinks, formed in 1964 by the brothers Davies, were part of the first British invasion of the Beatles, Rolling Stones and the Dave Clark Five. A series of commercial failures and disappointing record sales has not forced the band into retirement but into another phase of its musical history.A new acoustic CD called To the Bone has already been released in Europe and is slated for release here in the states in December or January. Davies has also recently released his first book, an autobiographical yarn called X-Ray, available in Europe and slated to be released on this side of the Atlantic in the fall.
The Kinks are scheduled to be back in New York City next month for a one-night show in Manhattan.

RAY DAVIES(Storyteller-Solo-The 88)

October 19,1995 Academy on 43rd
Oct 19: RAY DAVIES Storyteller #1 The Academy on 43rd
RAY DAVIES NYC ? Unplugged?(author unknown)
There was much to enthuse over. Davies ran through most of the Kinks’ hits in unplugged mode; himself on acoustic guitar with one guitarist accompanying him. This nudged the audience into realising what fine, durable songs they are: 30 years on, not one sounds dated or immature. We have long known that Waterloo Sunset, Days and Lola are classics; this treatment conferred equal status on minor hits such as Autumn Almanac and Dead End Street. Between classics , Davies read excerpts from his autobiographical X-Ray and told anecdotes: upstaging the Beatles on a package tour, growing up in Muswell Hill with younger brother Dave and older sisters. Mum frowned on the girls playing Billy Eckstine’s That Old Black Magic: the words were too sexy. Davies then sang it, a cappella, with a cheeky smile. “Mum was right,” he said finally: If you could bottle his charm you’d be rich

February 17,1996:Ray Davies: Storyteller@ WestBeth Theatre
Feb 17: RAY DAVIES @ Westbeth Theatre(program) NYC
POP REVIEW;The Life of Ray Davies Through Word and Song
By NEIL STRAUSS FEB. 16, 1996
In “20th-Century Man: An Evening With Ray Davies,” on Wednesday night at a Westbeth Theater Center decorated to look like an English pub, Mr. Davies of the Kinks chronicled his life in song and spoken word. His account, based on his recent autobiography, “X-Ray” (Overlook Press), took him from normal child to misfit teen-ager to upstart musician to exploited songwriter to wistful old-timer. There was one stage, however, missing from this chronology: the glory years of a star. For Mr. Davies, a life in the limelight was derailed in the late 60’s when he was temporarily banned from touring America and embroiled in a series of lawsuits over music publishing.
Despite a career spent in the shadows of the Beatles, the Rolling Stones and the Who, Mr. Davies developed into one of pop’s greatest songwriters. This he demonstrated by performing acoustic versions of “Waterloo Sunset,” “A Well-Respected Man,” “Victoria,” “Dedicated Follower of Fashion,” “Lola” and “The Village Green Preservation Society,” occasionally updating a lyric or two.
For a songwriter of Mr. Davies’s stature, Wednesday’s show (with Pete Mathison accompanying him on guitar) was surprisingly intimate, honest and well-staged. Sometimes his stories put the audience into a bygone era, as when he played his first hit, “You Really Got Me,” once after conjuring up the song’s recording session and a second time after speaking about its stressful but successful performance when the band was an opening act for a show by a cocky Beatles.
At other times, Mr. Davies offered new ways of listening to his songs, as when he interpreted “Two Sisters,” about the tension between a sibling who has settled into domesticity and another who lives a luxurious single life, as an analogy for his own jealousy of the freedom of his brother and band mate, Dave.
When old songs didn’t fit into Mr. Davies’s narration, he played new ones. Though these numbers depicted specific life experiences — a crush on an art-school student, a kinship with a neighborhood hunchback — Mr. Davies always stepped back in the choruses to make a larger point about pretension (in the first song) or how there is more to a person than can be seen by the eye or an X-ray (in the second). These songs, written in his late-60’s style, showed that Mr. Davies’s powers as a lyricist have hardly waned and that his voice was still capable of hitting the sweet high notes that can turn detailed observation into perfect pop.
The performance continues through March 3 at the Westbeth Theater, 151 Bank Street, in the West Village.

November 8,1996 Ray Davies: Storyteller@WestBeth Theatre (see above- second time)

October 20,1997:Ray Davies@ Westbury Music Fair(no notes) w/ Joe Bonamassa

February 27,2010: Ray Davies and The 88@Westbury Music Fair
The 88 open the show, Ray does his acoustic thing and then rewards the crowd with a stunning, KinKs hits filled electric set with THE 88 backing. Wow, what a way to head out of the place.

Over the last few years I saw DAVE DAVIES twice in small clubs with pick up bands. Not as exciting as a Ray show and not nearly enough to be called a KinKs show, even though he did some KinKs hits. The shows coincided with the release of his autobiography KINK and his album “Bug”.

TICKETS TORN IN HALF:Bob Dylan and The Band@ Madison Square Garden- January 31, 1974

31 Thursday Jan 2019

Posted by in #WhiteBoyBlues, Albert Grossman, DYLAN, Madison Square Garden, Nassau Coliseum, Rock music, The Band, The radio, Ticket Stubs, Uncategorized, Vinyl Records

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TICKETS TORN IN HALF: BOB DYLAN AND THE BAND@ MADISON SQUARE GARDEN- JANUARY 31, 1974(If you like what you are reading please hit the button to “subscribe”. Thanks.)

I don’t know why any suburban concert goer circa 1972-1978 would ever want to attend a show at NASSAU COLISEUM… drug busts, arrest, the other night 10 arrest at the BOB DYLAN and THE BAND show. Geez…I refused to buy a ticket knowing the life style of a young man would be in jeopardy when confronted by the tactics of the Nassau County PD and the county’s notorious DA. So when the call came that my bride’s co-worker had two tickets for the same show but housed in the safety and security of New York City’s MADISON SQUARE GARDEN I was on the train in a flash.Being a Thursday night I had to call in “sick” for work. Of course my boss questioned my sudden illness so I nicely told him I’m going to see Bob Dylan so “freak you” but only in stronger words.He listed it as a “personal” day.

DYLAN hadn’t toured in almost 8 years, 1966 that is and I was 14 at that time. To boot, DYLAN hadn’t released an album in almost four years so this was going to be a “must” see event. Tickets were sold out in a matter of minutes in our area. Four nights, two at the Nassau piss hole and 2 night with 3 shows ( one matinee-4PM) at MSG.DYLAN had just released “Planet Waves” a few days before our show, an album made with THE BAND onboard.

So away I go, train ride in with a bottle of wine and my usual Marlboro Reds, getting primed before meeting up with my wife and another couple. A quick bite to eat, payment for the tickets, and into the show. Pretty good seats to the left of the stage, two levels up but close enough for my zoom lens to work.(Notes from my journal-“Dylan opens with MOST LIKELY YOU GO YOUR WAY and a few tunes before THE BAND does STAGE FRIGHT, Bob joins in, then acoustic BOB, then THE BAND, then BOB and THE Band closing with MOST LIKELY YOU GO YOUR WAY. Neat. I took a photo of YOKO, Albert Grossman and DICK CAVETT chatting during intermission”.

Setlist: 


  1. Most Likely You Go Your Way (And I’ll Go Mine)
2.Lay Lady Lay
3.Just Like Tom Thumb’s Blues
4.Rainy Day Women # 12 & 35
5.It Ain’t Me, Babe
6.Ballad Of A Thin Man
7.All Along The Watchtower
8.Ballad Of Hollis Brown
9.Knockin’ On Heaven’s Door
10.The Times They Are A-Changin’
11.Don’t Think Twice, It’s All Right
12.Gates Of Eden
13.Just Like A Woman
14.It’s Alright, Ma (I’m Only Bleeding)
15.Forever Young
16.Something There Is About You
17.Like A Rolling Stone
—
18.Most Likely You Go Your Way (And I’ll Go Mine)
19.Blowin’ In The Wind

Village Voice Review
Madison Square Garden with the Band | January 31, 1974
Aside from some guest appearances (a Woody Guthrie Tribute; the Concert for Bangladesh; a Band show at the Academy of Music) Dylan was off the road for seven-and-a-half years and didn’t play a full concert in New York City for a very long time. That was a lifetime, an entire career in rock and roll back then. A lot would happen in between: military actions, protest movements, motorcycle accidents, Woodstock. But then he came back with one of the greatest rock ‘n’ roll alliances on one of the most amazing tours ever. The ‘74 tour with the Band featured Dylan at the height of his Seventies powers, alongside Robbie Robertson, Rick Danko, Richard Manuel, Garth Hudson and Levon Helm very close to the apex of theirs. This show at the Garden would amply showcase all of the above, and an audience at the height of Watergate roars like a jet engine as Dylan sings the “But even the President of the United States/Has to stand naked” line during “It’s All Right Ma, I’m Only Bleeding.”

TICKETS TORN IN HALF:(THE REAL and FAKE) FLEETWOOD MAC-Various Nights in Various Places with Various People

27 Sunday Jan 2019

Posted by in #WhiteBoyBlues, Academy of Music,NYC, ALLMAN BROTHERS BAND, Fillmore East, Fleetwood Mac, Grateful Dead, Indie records, Jefferson Airplane, Joe Cocker, King Crimson, Madison Square Garden, PALLADIUM,NYC, Rock music, The Action House, The KinKs, The Rock Pile, Ticket Stubs, Uncategorized, Vinyl Records, Wollman Rink in Central Park

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TICKETS TORN IN HALF:(THE REAL and FAKE) FLEETWOOD MAC-Various Nights in Various Places with Various People

(1968) I’m a sixteen year old, living across the street from a nineteen year old college student, a bohemian kinda guy who enjoyed music as much as I did. When he had time to be seen with a young punk we would (occasionally) engage in a conversation about the bands he saw. He told me about The LOVING SPOONFUL early on in their career, a little later THE AIRPLANE, and once he mentioned seeing FLEETWOOD MAC(December of 1968 @ Steve Paul’s THE SCENE ). This guy raved about the group, especially their singer/ guitarist. I jotted the name of the band in my trusty notebook thinking this is a band to be on the look out for. Then,I heard nothing about them for quite some time and no matter where I searched I could not find any of their recordings. A few months passed (early 69) when I found A Hard Road (February 1967 release date), the third John Mayall album (and the first to feature Peter Green who I still did not know was the singer/guitarist in question). “A Hard Road” was amazing, especially “The Stumble” which I thought would make the perfect “break song” for my band, “Another Kinda Love”, and …”The Supernatural”. Who is this guitarist?Peter Green? Who?

My kid brother was a THREE DOG NIGHT fan and a budding concert goer. Pop always said it was the double breasted suits, Beatle boots, and music which led him astray from the priesthood. So, with a few friends he attended a July 1969 show at THE (NYS) PAVILION in Queens, NY. On the bill was FLEETWOOD MAC.While my brother raved about how fantastic THREE DOG NIGHT’s performance was, he said little about FLEETWOOD MAC except to say I would like them. A few nights later my buddies (sans me) saw Ten Years After @ WOLLMAN RINK in Manhattan and lo and behold FLEETWOOD MAC opened. The guys loved both bands. For me it was another missed opportunity. But alas, a few weeks later I found “Then Play On” in the record store, also “Fleetwood Mac”, the one with the garbage can on the cover. I was mesmerized by the music, and now realized Peter Green from Mayall’s “A Hard Road” was the guitarist/singer in question.

Then, it was my turn,November 22,1969@Fillmore East, JOE COCKER and THE GREASE BAND headlining with FLEETWOOD MAC and KING CRIMSON as support bands; I saw Cocker in August, Crimson was unheard of (another story)…It was a Fleetwood Mac night to remember, at least for me. PETER GREEN was phenomenal as was the rest of the band. So,so good they were.My girlfriend thought they were not even close to Cocker’s Grease Band. What?I need to rethink girlfriends.

Two months later, Friday night, January 23, 1970 FLEETWOOD MAC is headlining locally (Island Park) at The Action House with Frost opening. Knowing I had QUICKSILVER tickets for the next night I only stayed for one, long fabulous set by THE MAC. Again, they did not disappoint and Peter Green was brilliant…”Black Magic Woman”,”The Supernatural”, “Albatross”,“The Green Manalishi”, “Rattlesnake Shake” (which went on for about 15 minutes),”Jumping at Shadows”,and “Shake Your Moneymaker”.Whew.

A few years ago I was discussing the merits of DUANE ALLMAN with a like minded spirit when the guy told me his remembrance of the JANIS JOPLIN/ GRATEFUL DEAD show at FILLMORE EAST February 11, 1970. JOPLIN was debuting her new band@ Fillmore East. At the late show the DEAD were doing their thing when they invited Duane Allman (Allman Bros. opened the show) AND Peter Green up to the stage for a jam.Peter was in town as Fleetwood Mac was opening for SLY and The FAMILY STONE at Madison Square Garden.Recently I listened to a decent recording of this event and, well, mind-blowing is all I can say.

After these performances (late 69 early 1970), I hear no more about FLEETWOOD MAC shows or recordings, which is strange as the summer schedule (Central Park,etc) was released and I expected their name to pop up. It appears the band had a few difficulties, one being the leader, PETER GREEN walked away (May 28,1970) leaving Fleetwood Mac (version #4) as Jeremy, Danny, John, and Mick. A #5 version appears (August 70-Feb 71) by adding CHRISTINE PERFECT (from CHICKEN SHACK) aka Christine McVie.

Late Summer, the FILLMORE EAST lineup is finally announced and there they are August 28-29, 1970 SAVOY BROWN/FLEETWOOD MAC/FAIRPORT CONVENTION. I send in my SASE for tickets
for what later would be one of my favorite shows of that summer despite some personnel changes and relationship problems in the bands and for me. I had two FAIRPORT CONVENTION albums and knew seeing them live would be unique. Unfortunately Sandy Denny (vocalist) had left the band but I became a huge fan of Richard Thompson (guitar/vocals) that night. Next up, Fleetwood Mac was missing Peter Green which was a huge disappointment for me, they/he were/was the reason I was there. But this newer FLEETWOOD MAC (version #5) now had Christine Perfect on keys /vocals and they introduced KILN HOUSE stuff which rocked. Quite a huge departure from the Peter Green stuff. Finally, Savoy Brown had no Chris Youlden on vocals. Lonesome Dave did the voice, and shades of FOGHAT were born. Despite the fact that all three bands were missing a key component, all were oh so good.
It appears (May 1970) Green left the band, suffering the early onset of mental illness thought to be the result of an unsolicited LSD experience in Munich, Germany.

FLEETWOOD MAC (#6) occurs February 15,1971 when Jeremy Spencer disappears the day the band hits Los Angeles, joining a cult known as THE CHILDREN of GOD, thereby denouncing his career, his band, his wife and two children.
“…given the news of Spencer’s action, the group called on Peter Green in London to rejoin them for the duration of the tour. After an hour on the phone, Green agreed – but only to finish out the tour, which ends in Long Island March 27th. Green, whose departure was partly attributable to his own devotion to Christianity, flew in on Friday, the 19th, to join the band in San Bernardino, California. He refused to talk about the Spencer case and emphasized only that the reunion with Fleetwood Mac is temporary.(Rolling Stone:March 18,1971)

Correction: His devotion was not to Christianity as Peter Green is actually Peter Greenbaum, of Jewish decent. Green did not like the music business, actually gave away all his money at one point.

I tired having worked a KinKs concert (March 26)getting to my room about 5AM but knew I had to solder on as PETER GREEN was in town playing with FLEETWOOD MAC/ EDGAR WINTER’s WHITE TRASH/TIN HOUSE March 26/27,1971@ Rockpile aka The Action House. Again, he did not disappoint,taking the band back to their roots of blues, beautifully played blues. And then he was gone, again

FLEETWOOD MAC(version 7) is now young DANNY KIRWAN (another soon to be rock n roll tragedy) and CHRISTINE McVIE’s band. “Future Games” (71) was Danny’s shining moment as lead guitarist with BOB WELCH added to the line up on rhythm. The blues were dropped from their repertoire. “Bare Trees” (72) is considered the lp which erases everything in the past, a true Kirwan masterpiece, to some. During the promotional tour Danny Kirwan was fired from Fleetwood Mac in the (fall of 1972). His alcoholism and increasing mental instability had made him a difficult bandmate and collaborator. Version 8 is Bob and Christine’s show and so on…they were a mess financially,had troubles with internal relationships and external relationships. They added members, dropped folks, changed management ,moved to LA, back to England,etc

January 26,1974, Academy of Music- FLEETWOOD MAC/KISS/SILVERHEAD. I’m there for FLEETWOOD MAC (not knowing who was still in the band). SILVERHEAD, well I had no idea who they were, still don’t. KISS was on a return performance from their debut at the same venue on New Years Eve. Their set was cut short as Gene Simmons set his hair on fire.(I saw Kiss twice at THE DAISY in Amityville the summer before but then KISS was not like this. Tonight, KISS set the entire venue of 3000 on fire. A great show, lights, fire breathing,fully costumed and ear drum shattering loud. Then, FLEETWOOD MAC appears. I notice MICK FLEETWOOD is not on the kit, No John McVie, No Christine…strange looks around the crowd, “who are these guys” playing instrumentals and no noticeable MAC tunes. Boos start, getting louder by the moment. An announcement is made that refund vouchers are available at the box office, to which I took my two. This was a bogus FM, a band put together by the owner (a past manager) of the “brand name” FLEETWOOD MAC, which hit the road while the true members were sorting out problems with alcohol, drugs, relationships, etc.Immediately after this, the true band grab the reins and hire Buckingham and Nicks, the rest is history.

To me,of all the guitar giants to emerge from the British blues boom Peter Green was perhaps the most naturally gifted. B.B.King famously said this about him: “He has the sweetest tone I ever heard; he was the only one who gave me the cold sweats.” That’s really is all you need to know about the man. Duane Allman acknowledged Green’s influence on him and the twin guitar approach of the Allman Brothers Band, And PETER GREEN penned “Black Magic Woman”.

TICKETS TORN IN HALF-The Doors/Staple Singers@Madison Square Garden, January 24,1969

24 Thursday Jan 2019

Posted by in #WhiteBoyBlues, Madison Square Garden, Rock music, The Doors, Ticket Stubs, Vinyl Records

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What a way to celebrate my 17th birthday with two tickets to see THE DOORS on January 24, 1969 at Madison Square Garden. New brown corduroy slacks, brown boots, a new overcoat, with a few extra bucks in my pocket from my folks as a birthday gift and away I go. A new pack of Marlboro Reds, train fare, money for the food after the show at the diner, I was psyched to go to another live show. But on the train ride in, the “problem” soon reared its ugly head as I had a girlfriend who was more excited about seeing Jim Morrison and chatting about Jim Morrison with her friends who also would be attending the show, both on the ride in and then again on the way home, Jim, Jim, Jim. Geez, selfish me, taking her to celebrate my birthday, which she basically forgot.

In THE GARDEN the stage was set in the middle of the arena and as the lights dimmed, The Staple Singers appeared first. Beautiful mood and music is the best way to describe what The Staples did. Even with a poor sound system their set was fascinatingly simple, elegant and spiritual. I was awestruck. After a rather extensive intermission, THE DOORS with a bass player (Harvey Brooks) appeared on stage, and adding a small horn section for a few tunes this being their “Soft Parade” days. According to The Doors faithful this show, one of the band’s first attempts at an arena rock show, was one of their finest. That night included songs from The Soft Parade, as well as Tell All The People, Love Me Two Times, Spanish Caravan,Back Door Man, Light My Fire, Five To One and When The Music’s Over

The Doors were, to my limited live experienced ears, musically okay, but not what I had anticipated. I expected a great rock band. Jim Morrison was an idiot, or was it just me? Nah, he was an idiot, hindering an otherwise good band with his “poetry” and rants. One interlude by Mr. Morrrison was something about him sitting on a fence, “and boy, do my balls hurt”. Musically my night was made by really digging The Staple Singers and developing a true appreciation for what they did. They were one cool group with a smooth, unique sound. Needless to say the Staples did not fit into the conversation on the return trip home. And neither did my birthday which seemed to have been overlooked. So as the song goes, TURN OUT THE LIGHTS…

January 30, 1969- The Village Voice- Riffs-“Jiiimmieeeee!”
“Jim Morrison carefully wrapped his black leather jacket into the shape suitable for air travel, then heaved it far into this $6.50 seats. It was early on in the proceedings Friday night at Madison Square Garden and if there was any question earlier whether the Doors concert was going to be anything but predictable, it was answered then.”
“…. The instrumentalists in the group play their axes, Morrison plays the audience.
“… well, the teenies got their show and the Doors and their promoters got lots of money, and money is really all that these monster events, indoors and out, are all about. The music? Who knows? The sound system in The Garden is abominable, but it mattered a lot more during The Staple Singers very professional set then when The Doors came on. The Doors originally sounded like one of the freshest, most promising things happening. Now they have released the same album under three different titles and encourage an audience that would be satisfied if they played bubblegum music as long as up front there was their Jiiimmmmiiiieeee.”

TICKETS TORN IN HALF:THE DOORS/ LONNIE MACK- JANUARY 18,1970@ FELT FORUM

18 Friday Jan 2019

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TICKETS TORN IN HALF:THE DOORS/ LONNIE MACK- JANUARY 18,1970@ FELT FORUM

A few days shy of my 18th birthday and I’m feeling like a veteran rock n roller having attended a shit load of concerts.Yet,I was still a bit naive. The entire crew at work, even us part timers got a nice Christmas bonus which I spent on new slacks, cut perfectly for my skinny body, a nice pullover, a new jacket with almost matching boots, and two tickets to see one of my girlfriend’s favorite band THE DOORS, Sunday, January 18,1970 at The FELT FORUM, my second shot at seeing this legendary band.If I could have I would have begged off but didn’t. Again,as last year, the rants and poems by Morrison while the group played a pedestrian beat in the background made me think…ah, he (Morrison) is not that good.Yet the women in the crowd loved him, they actually roared with delight at his antics and his profanity. Lonnie Mack opened the show and was as good as last time I saw him. John Sebastian joined the Doors on harmonica for the opening tune ROADHOUSE BLUES. And my stroll around The Forum almost got me arrested. Good thing I am fast and the security guard fell on the stairs when he grabbed me.

It was a long night, with a late start to the show, and a missed train for a ride home, I was getting nervous knowing that I had classes in the morning, midterm exams.The sun was about to rise as our train pulled into town, arriving home a few minutes before my folks woke up for work. I went upstairs and set my alarm hoping against hope for some shuteye, but alas, no. Pop called up to me, “Time to get up, Mary”, his pet name for me because of my hair. I washed my face, brushed my teeth, got a cup of coffee and lit a smoke. As I exhaled I wondered ,“What the hell am I doing? That show was not worth it.” I took a shower, dressed and heading off to high school.

THE DOORS were a staple in my listening pleasure over the years.After hearing about this band from my older music loving neighbors I bought the “Light My Fire” single and the first album on their recommendation. Good stuff, I thought. To my surprise the second album “Strange Days” was purchased for me by my Dad after he saw an ad for its release in a record store window in Greenwich Village. Why he bought it for me I’ll never know but I liked that he did and I enjoyed the record.
While I was working as an intern in NYC (Summer 1968)I bought “Waiting For The Sun” which I thought was the start of the end, a downward spiral, for the group. Then, “The Soft Parade” which compared to the releases of the same period (a few weeks before Woodstock Festival) shows that THE DOORS were reaching for straws here…horns, etc …pop music, yuck.
So this is my introduction to THE DOORS, four albums worth of tunes before I see them live for the first time, January of 1969. While that show is their first attempt at arena rock it is considered to be one of their “shining moments” by their legions of die hards. I was just okay with it. Now, it’s my second shot and we find a drunken, bearded, and “slightly” overweight Morrison. Well,anyway, the musicians were great. The entire show has been released live, check it out…it will prove my point.

from pitchfork review.
The rest of the band is here to support the star, and it never lets him down: The Doors were a loose, groovy, and ferocious combo, here playing a setlist that sticks to rock and blues and skips all the winsome and folky stuff that cluttered up Waiting for the Sun and The Soft Parade. Organist Ray Manzarek played the hooks that turned songs like “Hello, I Love You” into pop hits, but here he’s focused on driving the rhythm section. Even his legendary solo on “Light My Fire” changes in concert from a melodic improvisation to a jam that climaxes in frustration, as you can hear him stabbing the keys with all ten fingers and wishing he had another ten besides. On the other hand, guitarist Robby Krieger is ferocious right from the riff of “Roadhouse Blues”, and he makes their cover of Bo Diddley’s “Who Do You Love” one of the best recordings the Doors ever made.

Twenty one dates after this night…july 3, 1971 and Mr.Mojo Risen is dead.

ON THE TURNTABLE- Best of 1969

11 Friday Jan 2019

Posted by in #WhiteBoyBlues, Blind Faith, ColumbiaRecordClub, Creedence, CSNY, DYLAN, Elektra Records, Eric Clapton, Fillmore East, Fleetwood Mac, Grateful Dead, Hot Rats, Jefferson Airplane, Jethro Tull, Jimmy Page, Joe Cocker, Kevin Patrick, Led Zeppelin, Madison Square Garden, MC5, Neil Young, Ray Davies, Rock music, rock music trivia, Stooges, The Beatles, The Doors, The Grease Band, The KinKs, THE MOTHERS of INVENTION, The radio, The Stones, The Who, The Yardbirds, Ticket Stubs, Trap Set, Uncategorized, Vinyl Records, Woodstock, Zappa

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ON THE TURNTABLE -1969:

Putting out my BEST OF for this past year made me nostalgic in a way. So I dug out some listings from yesteryear and over the next few weeks I’ll post a few.My brother and I actual compiled lists of our favorite records but this listing is from most of the records I bought that year, in no particular order or preference.

It’s 1969 and my record collection was growing in leaps and bounds. Seems like the more money I had the more records I bought. However, my stereo was not what one would expect of a serious record collector.  I was using an old split speaker (in a case) record player propped up on my desk. But hey, the sucker did the job. That and my portable single speaker cassette player tucked along side my portable PANASONIC AM/FM stereo radio made up my “sound system”. I also had an AM/FM radio bedside. A friend had a huge stereo unit, one with humongous speakers,a turntable with a “stylus” no less, but alas he had virtually no records, always borrowing mine.

Records In My Rotation throughout that year included:

The debut album from LED ZEPPELIN “Led Zeppelin”, I bought this early on in the year after a recommendation from my work buddy, Pete, who saw this “unknown” band open for IRON BUTTERFLY. This album was amazing and it took me a few days to realize that this JIMMY PAGE was the same JIMMY PAGE from THE YARDBIRDS. Later, in the year after its release and after seeing the band live twice I copped LED ZEPPELIN II. Geez, these recordings were unique, and the band was …WOW.

THE BEATLES “Abbey Road” was and still is a hard listen for me, yet when it first was released I played it continuously, usually picking out a song or two before moving on to some other record .It was probably the Harrison tunes that I liked the most.

THE WHO “Tommy” is another difficult record to listen to all the way through, but that year I did see the band perform “Tommy” in its entirety twice, and I must say, live WHO was better than any record.

KING CRIMSON’S “In The Court Of The Crimson King”was/is a great record, one that for its time was truly original. This band blew me away when I saw them in the fall of 69, opening for FLEETWOOD MAC and JOE COCKER. After their 34 minute set, I bought the album the next payday. Speaking of FLEETWOOD MAC “Then Play On”( their 3rd album) drew me to see them live and I became a PETER GREEN fan that night. This collection showed the originals of the name sake take their blues influenced and mostly refurbished recordings a step further. I must have recited the opening of  “Oh, Well-Part 1” a million times to friends, to the point where I was annoying. I still am, say some. And JOE COCKER’s “With A Little Help From My Friends” which I grabbed in the early summer after hearing some of his tunes on the radio and before seeing him and THE GREASE BAND open for The AIRPLANE at FILLMORE EAST was a goodie, but again, live he was a trip.

Also, there was NEIL YOUNG’s masterpiece “Everybody Knows This Is Nowhere”, along with FRANK ZAPPA’s “Hot Rats” which help change my musical perspective and soon led me to CAPTAIN BEEFHEART  “Trout Mask Replica”.

Two debuts, one from CROSBY, STILLS AND NASH, a summer hit and Blind Faith’s one and only official release, which I thought was a mess, as was their show at MADISON SQUARE GARDEN. “Nashville Skyline” by BOB DYLAN was a pleasant surprise, even my POP liked it, well, it had JOHNNY CASH on it.THE FLYING BURRITO BROS “Gilded Palace of Sin” was a good pick up and  ISAAC HAYES’ “Hot Buttered Soul” arrived unannounced when I did not respond in time to a record company selection deadline but boy was I glad I got that gem. CHICAGO TRANSIT AUTHORITY’s debut double set before they shortened their name to CHICAGO, and coincidentally was the only record I ever bought by them. JETHRO TULL’s “Stand Up” was a mainstay on the turntable along with the profane MC5’s “Kick Out The Jams” which was played on minimal volume as not to upset the parents. And then there was the profanity nestled in JEFFERSON AIRPLANE’s “Volunteers” another record which kept a low profile when played.

I practiced my drums listening to  THE GRATEFUL DEAD’s “Live Dead” but was not enthused with The DOORS “Soft Parade”, and

PINK FLOYD’s Ummagumma was, well, just listen to “Careful With That Axe ,Eugene” and wonder why my Mom would yell, “What is that? Please, no more.” She didn’t particularly enjoy THE STOOGES “The Stooges”, either, no matter how many times I played it. Speaking of Mom’s taste, THE VELVET UNDERGROUND “The Velvet Underground” was more to her liking as was THE KINKS “Arthur”.

JOHN MAYALL’s “Turning Point” was bought the same day as PHAROAH SANDER’s “Karma”, late 1969. Both late night incense burning albums.

and of course, THE ROLLING STONES Beggar’s Banquet which never left my turntable and the follow-up release Let It Bleed (see blog Oct. 20, 2018)

PROCUL HARUM’s “A Salty Dog” which was actually my kid brother’s record found it’s way into my room many a night, along with his SLY and The FAMILY STONE’s “Stand” and JANIS JOPLIN’s “I Got Dem Ole Kosmic Blues Again Mama” but not any of his CREEDENCE CLEARWATER REVIVAL or his “Odessa” by THE BEE GEES. Just the red felt cover on that one turned my stomach. Continue reading →

TICKETS TORN IN HALF:October 21,1977-ROD STEWART

21 Sunday Oct 2018

Posted by in #WhiteBoyBlues, Madison Square Garden, Rock music, Rod Stewart, Ticket Stubs, Uncategorized, Vinyl Records

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TICKETS TORN IN HALF:October 21,1977-ROD STEWART @ MSG(WPLJ button)ROD THE MODS first solo tour circa HOT LEGS days with Carmine Appice on drums, which is a bit overkill if you ask me,especially during the extended version (Vanilla Fudge style) YOU KEEP ME HANGING ON.I miss THE FACES.

Faces

ROCK’S IN MY HEAD: Chapter 33-HONKY TONKYING

20 Saturday Oct 2018

Posted by in #WhiteBoyBlues, blue eyed soul, Fillmore East, Fleetwood Mac, Joe Cocker, Madison Square Garden, Rock music, TERRY REID, The British Invasion (1964-1966), The Stones, Ticket Stubs, Uncategorized, Vinyl Records

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ROCK’S IN MY HEAD: Chapter 33-HONKY TONKYING

We tried in vain to get STONES tickets for their (1969) MADISON SQUARE GARDEN performance. Skipping school the day tickets went on sale, I took the next train after my Dad’s train so as to not be caught, to Brooklyn and then by subway to my cousin’s house off of Church Ave. When I arrived I asked my aunt not to say anything about me being there to my mom, her sister, when the next spoke. She just smiled. The  box office was to open at 10AM, which it did and the shows were SOLD OUT in a manner of minutes. The remaining ticketless crowd, us included, became restless and angry.  Not too happy, my cousin and I walked across Seventh Avenue toward the Blarney Rock to get a beer (phony ID worked since summer of 68 on Wall Street but no one asks for proof) when we were confronted by a drunken “hard hat” who harassed us about long hair. It’s only noon and this dude is loaded. Sorry dude, wrong day, wrong guys, now you will find out that long haired kids who are pissed can fight. Down he went. Screw him. John left him crying in the street before putting a cigarette out on the guys forehead, all in front of a small crowd who did absolutely nothing, no lie, they just watched. After a few beers in THE ROCK  I was back on the train home before my folks knew I missed school. My aunt never told her sister.

However, The Rock Gods must have found redemption as a few night later before going to the FILLMORE EAST for a Joe Cocker Show, I hit the Garden Box Office and obtained eight (8) tickets at 5 bucks each for a newly announced afternoon matinee show of… The Rolling Stones, Ike and Tina Turner and Terry Reid@ MADISON SQUARE GARDEN, November 28, 1969, the day after Thanksgiving at 2PM. Hallelujah, I’m in.

Trouble seemed to pop up when I least expected it. Never having a curfew I was free to come and go as I pleased since I was 14 with one caveat, “Remember who you are, you carry our name”. In other words, “Don’t screw up”. One night, I had a slight verbal disagreement with my mom before going out with my friends to a house party. Mom was an obsessive cleaner and re-arranger of furniture. Me returning from the party about 2 AM, fully buzzed, quite intoxicated, and not knowing the kitchen table had been moved, bumped right into it, knocking over a chair with me falling to the floor. Lights on…Oh NOOOO. Mom was livid. She said Dad would deal with me. He came upstairs to my room, asking me if I was drinking, Yes I said, he said go to bed. That was it.

Mom not satisfied the next morning with my light sentence  announced….No shows for a while. WHAT? But THE STONES!!!!! “NO,” she said, “sell the tickets, you are not going”. So maybe The Rock Gods did not find me in good standing.

Eight tickets, four for my cousin as promised with the four remaining for me. Geez, I was distraught. Dad said privately that I should give it a few days for it to blow over. YESSSS, I thought. “But”,he added….”But, what?”,I questioned. “You need to take your sister and brother with you”. But DAD?

So my sister being all of 11 was going to see the Stones, my brother at 16 was ecstatic, my girlfriend was not happy as unbeknownst to me she had promised the other two tickets to “her” friends,WHAT? She didn’t even ask me, me the guy who bought the tickets.Yet life was still good, it’s The STONES man and I’m going . Oh yeah, I also had to cut my hair, short.

Terry Reid (third time for me) was killer as an opening act. Ike and Tina’s Revue was tight but should have been called Tina Turner’s Revue, Then the point I had anticipated, light dimmed and JUMPIN’ JACK FLASH.

Beggars Banquet :

The Best Album of 1969 even though it was released in December of 1968, BEGGAR’S BANQUET was my most played album of 1969. I got that record the moment it was released and it very rarely left my turntable for one full year. Side 1, Side 2, back to Side 1, and on and on. There are very few albums I can said that about, very few albums I listen to in its entirety without getting bored by a clunker or two. I was enamored by this collection of Stones tunes. The slick printed cover (American version which was completely different from the British cover), the photo spread inside, and the music. These songs were individually and collectively a great relief, a wonderful change in direction from the ROLLING STONES ’67 set of THEIR SATANIC MAJESTIES REQUEST, which I owned but never played all the way through. The only tunes I liked on TSMR were 2000 LIGHT YEARS FROM HOME and SHE’S A RAINBOW. The rest were rubbish.

Before SATANIC MAJESTIES I was stuck on BETWEEN THE BUTTONS(1967) (US version), especially side 1 which we played endlessly at my buddy George’s house.TSMR is/was nothing like BUTTONS. But then, BEGGAR’S BANQUET is released and with that a new STONES approach to the blues.The BB album was the real deal, and foreshadowed what would become of the STONES over the next few years and releases.  To my ears Beggar’s Banquet was a Keith album as Brian Jones due to “personal reasons” is limited here to slide guitar on NO EXPECTATIONS, a harmonica on PARACHUTE WOMAN, DEAR DOCTOR and PRODIGAL SON. It was the last ROLLING STONES album to be released during Brian Jones’ life.

Side One Track 1, SYMPATHY FOR THE DEVIL, just listen to the title before you put the needle down, WHAT? Sympathy for whom? Are you kidding me? Conga, screams, maracas, Nicky Hopkins on piano, and THE WORDS…PLEASE TO MEET YOU, seriously this is not Satanic Majesties at all. WOW.Then the voices, Get down,hit it, guitar riffs…six minutes plus of sheer ecstasy . I danced around my room so many times shaking imaginary maracas.

Track 2:NO EXPECTATIONS, Keith on acoustic, Brian in a semi-sober moment plays slide. Bill with a few bass thuds,I still play this tune on my guitar, “never in my sweet short life have I felt like this before”.

Track 3: DEAR DOCTOR, humorous to say the least..”Help me please Doctor I’m damaged”…“preserve it right there in that jar”. Sang this tune with like minded folks,we being very poor off keyed singers after a few cocktails.

Track 4:PARACHUTE WOMAN: acoustic guitar, electric guitar, some echo added to vocals, and Charlie beating it down, “join me for a ride”.

Track 5: JIGSAW PUZZLE: The drum beat is awesome, I played it thousands of time, Charlie was the man. “Me, I waiting so patiently, lying on the floor”.

SIDE TWO Track 1 STREET FIGHTING MAN: The guitar intro and then the drums…this was the tune revolutionaries were using as their theme song, well, pseudo- revolutionaries. Hey, it was a sign of the times.

Track 2: PRODIGAL SON: Not a Stones tune but a remake that they called their own.Charlie’s high hat work is exceptional, Mick’s vocals is a take on a blues man.

Track 3: STRAY CAT BLUES: This was sex, straight out.”I bet your mama don’t know you can scream like that”…

Track 4: FACTORY GIRL: I first thought this was the same riff from 2000 light years, but no. As I was working in a factory at the time this tune made so much sense.”Waiting for a factory girl…”

Track 5: SALT OF THE EARTH: This is the one that did it for me. Aren’t we all salt of the earth? and when the drums kick in….”Let’s drink to the uncounted heads”…these words made so much sense to me…and then the mention….  “A choice of cancer or polio”.

Salt Of The Earth

The Rolling Stones

Let’s drink to the hard working people

Let’s drink to the lowly of birth

Raise your glass to the good and the evil

Let’s drink to the salt of the earth

Say a prayer for the common foot soldier

Spare a thought for his back breaking work

Say a prayer for his wife and his children

Who burn the fires and who still till the earth

And when I search a faceless crowd

A swirling mass of gray and

Black and white

They don’t look real to me

In fact, they look so strange

Raise your glass to the hard working people

Let’s drink to the uncounted heads

Let’s think of the wavering millions

Who need leaders but get gamblers instead

Spare a thought for the stay-at-home voter

His empty eyes gaze at strange beauty shows

And a parade of the gray suited grafters

A choice of cancer or polio

And when I look in the faceless crowd

A swirling mass of grays and

Black and white

They don’t look real to me

Or don’t they look so strange

Let’s drink to the hard working people

Let’s think of the lowly of birth

Spare a thought for the rag taggy people

Let’s drink to the salt of the earth

Let’s drink to the hard working people

Let’s drink to the salt of the earth

Let’s drink to the two thousand million

Let’s think of the humble of birth

So, I’m stuck on the STONES, not really shouting it out but I do like their most recent stuff (1968) more than the Beatles or anyone else at this time. Then, LET IT BLEED is released …

LET IT BLEED December 1969, I have it before Christmas and bought another copy to give my girlfriend as part of her Christmas gift package.

SIDE ONE: Track 1; GIMME SHELTER, Merry Clayton, just a shout away.  Charlie hitting the cymbals, harp playing. fade out, nicely done.

Track 2: LOVE IN VAIN: another stolen tune, but one that everyone, including me plays.I saw FACES do this one night and after they finished Rod Stewart said, “I gave it a try but Mick owns it”.

Track 3:COUNTRY HONK: Didn’t make sense until you put it in perspective of HONKY TONK WOMAN. I really like this tune. Thanks Graham, I know this was you.

Track 4:LIVE WITH ME: Charlie lays it down, Bill bass lines are straight on, …“Don’t you think there is a place for you between the sheets”. What a great line but don’t try to use it. Bobby Keys nails this solo on sax, and I actually tried at the time of release to find out who this guy was.

SIDE 2: Track 1:LET IT BLEED:”There will always be a space in my parking lot”…No longer is music “I Wanna Hold your hand” we are now in a dirty, filthy basement, yeah man.

Track 2:MIDNIGHT RAMBLER: I had no idea what to make of this song, played it hundreds of times, trying to decipher what it was. THEN, I saw it live. My Lord. Now I knew. And about that moment I saw it live the ROLLING STONES became one of my all time favorite live bands.

Track 3:YOU GOT THE SILVER:It’s KEITH, say no more.The future of THE STONES.Brian is in there somewhere, so they say, but I don’t hear him.

Track 4:MONKEY MAN: A bit of Satantic Majesties kick off but then “all my friends are junkies” we are going down fast…I’m glad you are a monkey woman ,too”. Nicely, done.The guitars are intense.

Track 5: YOU CAN’T ALWAYS GET WHAT YOU WANT: No words describe what I heard as a 17 year old male. The chorus, the horn, the acoustic guitar, Mick’s intro, “ but if you try sometimes, you might find you get what you need”….are they talking to me?

It’s the STONES I played all of 1969, saw a few others bands, but 1969 was…THE STONES and I saw them.

TICKETS TORN IN HALF:OCTOBER 14,1984-ELTON JOHN (my 8th time) and Four years later: October 18,1988-ELTON JOHN (9TH time) @MSG

14 Sunday Oct 2018

Posted by in #WhiteBoyBlues, Elton John, Madison Square Garden, Rock music, Ticket Stubs, Uncategorized, Vinyl Records

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TICKETS TORN IN HALF:OCTOBER 14,1984-ELTON JOHN (my 8th time)@MSG (4 shows in 4 nights and one a month later)

He was so good last time out that we had to see him again.THE BREAKING HEARTS tour was the basic quartet with an additional keyboardist. TINY DANCER and LEVON opened the evening, the hits mixed with new stuff and of course YOUR SONG:Set list:

Tiny Dancer, Levon, Lil ‘Frigerator, Rocket Man, Daniel, Restless, Candle in the Wind, The Bitch Is Back, Who Wears These Shoes, Sad Songs (Say So Much), Bennie And The Jets, Philadelphia Freedom, Blue Eyes, I Guess That’s Why They Call It the Blues, Kiss the Bride, One More Arrow, I’m Still Standing,Your Song, Saturday Night’s Alright for Fighting with two Encores: Goodbye Yellow Brick Road, Crocodile Rock”

Four years later:

TICKETS TORN IN HALF:October 18,1988-ELTON JOHN (9TH time) @MSG

Sixty Years On

I Need You to Turn To

The King Must Die

Burn Down The Mission

Sorry Seems to be the Hardest Word

Have Mercy on the Criminal

Funeral For a Friend/Love Lies Bleeding

Tiny Dancer

The Ballad of Danny Bailey

I Guess That’s Why They Call it the Blues

Philadelphia Freedom

The Bitch Is Back

Sad Songs (Say So Much)

A Word in Spanish

Mona Lisas and Mad Hatters 1&2

Daniel

Rocket Man

I Don’t Wanna Go On With You Like That

Saturday Night’s Alright (For Fighting)

Your Song

Lucy In The Sky With Diamonds

I’m Still Standing